NW Spotlight | Pop Up Dances reflections by Jhoely Triana

New Works Spotlight
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Beyond performances and programs, New Works is part of a living, evolving dance ecosystem. This monthly blog series highlight the unseen moments—the collaborations, reflections, and shifts that shape our community. It’s about the ripples of artist support, learning, and shared growth. Each story offers a glimpse into the evolving needs of the dance community and how we respond.

NW Spotlight | Pop Up Dances reflections by Jhoely Triana

For this month’s New Works Spotlight, we turn to flamenco artist and choreographer Jhoely Triana, whose work Arboles brings flamenco into the soaring architecture of the Vancouver Public Library as part of Pop Up Dances Festival 2025. Adapting a form often rooted in intimate tablaos to an unconventional, public setting, Jhoely and her collaborators will share Arboles with Pop Up audiences on Friday, September 19 at 12pm.

After presenting Arboles at All Over the Map 2024, and touring her piece across BC, she now embraces the new challenge of shaping the piece within the library’s vast atrium—exploring what happens when flamenco’s grounded rhythms meet a space of silence, scale, and light.

What follows is Jhoely’s poetic reflection about the process to adapt this piece into a site-specific work as part of Pop Up Dances Festival.

Pop Up Dances reflections
by Jhoely Triana

Encountering a space, it’s so quiet here and flamenco is so loud.
I’m alone early in the morning before anyone enters the library.  What a treat!

To be alone in such a gigantic space,
to be alone amongst the energy of so many people and so many books. 
To be alone and dancing with no one to watch me, it’s a gift of intimacy. 

Stairs, large wooden stairs, but too small to dance with my long skirt, my bata de cola. 
Choices, my mind comes up with so many ideas, fireworks of possibilities. 
Limitations: safety, skill, space, surfaces, technical. 
Don’t limit just yet, let the ideas flow, focus on the space and what it says to you,
focus on how the space interacts with your piece. 

Light from above, the sun coming in, a beautiful morning. 
Everything so still, including the body. 

Large stairs, the heart races a little with added tension of gravity, of looking down from top. 
I walk around, not really knowing where to situate the piece,
which level, what about the musicians, where do I feel most comfortable, can I turn? 

I put on the music and just move,
without filtering or editing,
just exploring the different steps, handrails,
the vast space in front and above,
the descending movement in relation to the music. 

I’m not allowed to stomp on this wood so I move barefoot
and explore what flamenco is without shoes,
I explore how I want to move when not in a strong hard heel,
when my sounds are silenced.

The upper body takes over, the emotion moves to limbs, torso and head. 

The voice will lead,
the voice always leads,
follow the voice. 

Take your time, no need for sound just yet. 
Lessons from my mentors in my head. 

Hear the voice, the cante, let it into your body, listen to the words,
feel the weight and take time, this too is flamenco.

Let the voice settle,
meet at the bottom,
put on your shoes,
connect with the guitar,
feel the floor and let the sound ring through the giant atrium,
softly at first and then without fear,
fill the space,
push down through all 8 floors reaching through the earth, like roots. 
Reach all the way up through the spine through the glass roof, into the sky, like branches. 

I look up, a drift wood tree sculpture up-above my head, suspended in the air, like a spine, I smile, how fitting. 

My piece is called Arboles (Trees). 
Lift up tall, tell your story and dance.

About the artist

Jhoely Triana is a Colombian-born flamenco dancer and choreographer based in Vancouver. With a diverse dance background, Jhoely trained at the Goh Ballet Academy, earned a Bachelor of Fine Arts in Contemporary Dance from Simon Fraser University, and honed her flamenco skills at Al Mozaico Flamenco and Flamenco Rosario.

Her work has been showcased at renowned events such as the Victoria Flamenco Festival, Vancouver International Flamenco Festival, Vines Festival, New Works Dance, and the Vancouver Fringe Festival, among others. Jhoely's choreography has also been featured at venues including The Dance Centre, Evergreen Cultural Centre, Knox Performance Centre, and during BC Culture Days.

After spending three months training in Spain, Jhoely returns with a renewed sense of passion and authenticity in her art. Her performances are marked by a deep connection to the audience, where vulnerability and emotional authenticity take center stage, creating an immersive and resonant experience.

Why New Works Spotlights?

New Works delivers many unique programs, in many different ways, in support of many communities of artists. If you’ve ever asked a New Works staff member, “so, what does New Works do exactly?”, you’ve likely been met with a rambling run on sentence and a laundry list of exciting programs and projects that we have on the go. Up close it may look a little messy, but take a step back and you will see the container: all of our work exists in response to current gaps in the needs of the dance community. This looks like performance opportunities, partnership and collaboration, professional development, teaching engagements, mentorship, skills training, and many more. And we are just one small piece of this vitally diverse dance milieu.

We envision a healthy artist-centred arts ecosystem where connection, collaboration, and opportunity is celebrated beyond the container of our own organization. Through this ongoing blog series, we invite you to join us in witnessing artist experience through and beyond New Works programs, and in celebration of our living, breathing, shared communities.